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The simplicity and purity of the material constantly question contemporary popular elements. In an era of over-design and information overload, it seems to call out to me, urging a return to essence, exploring the existential value between things. Design's purpose is not just innovation in form but achieving resonance with the soul, touching delicate and genuine emotions.

The exploration of paper has become a reflection on life and the meaning of existence for me. Paper, an item overlooked in daily life, how can it allow design to transcend visuals and reach the depths of the soul? This is a challenge for designers and also a process of seeking my answers.

Paper with rice husks

稻殼紙_Paper with rice husks
稻殼紙_Paper with rice husks
稻殼紙_Paper with rice husks

Paper with rice husks

Rice husks are spread freely onto pulps during papermaking to create this unique texture. The paper itself looks like rice husks sprinkled on rice; you can seem to smell the rice just by looking at the paper.

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稻殼紙

有別於來自日本越前的稻禾,台灣的長春棉紙,把農田中打穀後的稻殼,藉由抄紙時不規則的散落於紙漿內。與稻梗一段一段的感覺不同,在視覺上像是米飯上灑落稻殼,看著似乎讓紙變得更香了呢!

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籾殻紙(もみがらがみ)

日本の越前からの稲とは異なり、台湾の長春棉紙(ちょうしゅんめんし)は、収穫後の籾殻を漉き紙の際に不規則に紙漉きの中に散らします。稲の茎が断片的に感じられるのとは違い、見た目はまるでご飯の上に籾殻が散りばめられているようで、まるで紙がさらに香ばしくなったような気がしますね!

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