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The simplicity and purity of the material constantly question contemporary popular elements. In an era of over-design and information overload, it seems to call out to me, urging a return to essence, exploring the existential value between things. Design's purpose is not just innovation in form but achieving resonance with the soul, touching delicate and genuine emotions.

The exploration of paper has become a reflection on life and the meaning of existence for me. Paper, an item overlooked in daily life, how can it allow design to transcend visuals and reach the depths of the soul? This is a challenge for designers and also a process of seeking my answers.

Pineapple leaf fibre made Xuan paper

鳳髓宣 Pineapple leaf fibre made Xuan paper

Pineapple leaf fibre made Xuan paper

The pulp is a combination of pineapple leaf fibre, bamboo or straw pulp, and wheat straw fibre, giving the paper strength to avoid damage during multiple paper colouration processes. The slight alkalinity of the paper can neutralise acidity when repairing artefacts.

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鳳髓宣 / Pineapple leaf fibre made Xuan paper

別名鳳梨宣 / 菠蘿宣

因使用鳳梨葉纖維得名,混合了竹漿或草漿加上麥桿纖維,除了在多次渲染不易造成破損以外,微鹼性的體質在修復紙質文物具有中和酸性的效果。書法畫家張大千曾在作品:「仿徐青藤墨荷」-1979 以:「滑能註毫,凝能發墨,直與元明以來爭勝。」來稱讚鳳梨宣的特色。

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鳳髓宣 / Pineapple leaf fibre made Xuan paper

別名:鳳梨宣(ほうりせん)/ 菠蘿宣(ぼらせん)

パイナップルの葉繊維を使用していることからこの名が付けられ、竹パルプや草パルプ、さらに麦わら繊維が混合されています。何度も彩色しても破れにくく、微アルカリ性の性質があり、紙質の文物を修復する際に酸性を中和する効果があります。書道家の張大千(ちょう たいせん)は1979年の作品「仿徐青藤墨荷」で「滑らかで筆を止め、凝り固まっても墨を発する。その特徴は元・明以来のものと競い合う」と鳳梨宣の特性を称賛しました。

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